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Museum

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Museum

Monica Bonvicini, Neue Nationalgalerie Berlin

Visitors in front of the installation Light Me Black in the exhibition I do You by the artist Monica Bonvicini in the foyer of the Neue Nationalgalerie of the Staatliche Museums in Berlin, Germany. Architectural installations specially developed for the building by Mies van der Rohe and opening up unusual perspectives can be seen under the title I do You

Monica Bonvicini, Neue Nationalgalerie Berlin

Visitors with handcuffs of the installation You To Me of the exhibition I do You by the artist Monica Bonvicini in the foyer of the Neue Nationalgalerie of the Staatliche Museums in Berlin, Germany. Architectural installations specially developed for the building by Mies van der Rohe and opening up unusual perspectives can be seen under the title I do You

Monica Bonvicini, Neue Nationalgalerie Berlin

Visitors in front of the installation I do You of the exhibition I do You by the artist Monica Bonvicini in the foyer of the Neue Nationalgalerie of the Staatliche Museums in Berlin, Germany. Architectural installations specially developed for the building by Mies van der Rohe and opening up unusual perspectives can be seen under the title I do You photo taken with iPhone, Hipstamatic App

Monica Bonvicini, Neue Nationalgalerie Berlin

Employee with shirt You To Me and visitors in front of the installation Desire and Light Me Black in the exhibition I do You by the artist Monica Bonvicini in the foyer of the Neue Nationalgalerie of the Staatliche Museums in Berlin, Germany. Architectural installations specially developed for the building by Mies van der Rohe and opening up unusual perspectives can be seen under the title I do You.

Monica Bonvicini, Neue Nationalgalerie Berlin

Waermestube, Neue Nationalgalerie Berlin

Visitors in the Waermestube room of the Waerme network initiative in the foyer of the New National Gallery of the State Museums in Berlin, Germany. Due to the energy crisis and austerity measures, visitors have the opportunity to warm up and get a cup of tea for free.

Monica Bonvicini, Neue Nationalgalerie Berlin

Visitors in front of the installation Desire and Light Me Black in the exhibition I do You by the artist Monica Bonvicini in the foyer of the Neue Nationalgalerie of the Staatliche Museums in Berlin, Germany. Architectural installations specially developed for the building by Mies van der Rohe and opening up unusual perspectives can be seen under the title I do You.

Monica Bonvicini, Neue Nationalgalerie Berlin

Nan Goldin Photo Exhibition

Visitors in front of a photo in the exhibition Nan Goldin Kaethe Kollwitz Prize 2022 in the Akademie der Kuenste in Berlin Germany. On the occasion of the award ceremony, the Academy of Arts is showing photographs by the American photographer from five decades. Photography photo exhibition.

Nan Goldin Photo Exhibition

Visitors in front of the photo collage Mirror in the exhibition Nan Goldin Kaethe Kollwitz Prize 2022 in the Akademie der Kuenste in Berlin Germany. On the occasion of the award ceremony, the Academy of Arts is showing photographs by the American photographer from five decades. Photography photo exhibition.

Nan Goldin Photo Exhibition

Reflection Visitors in front of the photograph Thora at my vanity from 2021 in the exhibition Nan Goldin Kaethe Kollwitz Prize 2022 in the Akademie der Kuenste in Berlin Germany. On the occasion of the award ceremony, the Academy of Arts is showing photographs by the American photographer from five decades. Photography photo exhibition

Nan Goldin Photo Exhibition

Visitors in front of a photo Joana and Aurele making love in their bed in the exhibition Nan Goldin Kaethe Kollwitz Prize 2022 in the Akademie der Kuenste in Berlin Germany. On the occasion of the award ceremony, the Academy of Arts is showing photographs by the American photographer from five decades. Photography photo exhibition.

Nan Goldin Photo Exhibition

Visitors in front of a photo Portrait Nan Goldin in the exhibition Nan Goldin Kaethe Kollwitz Prize 2022 in the Akademie der Kuenste in Berlin Germany. On the occasion of the award ceremony, the Academy of Arts is showing photographs by the American photographer from five decades. Photography photo exhibition.

Nan Goldin Photo Exhibition

Reflection Visitors in front of the photograph Thora at my vanity from 2021 and Thora on my white bed von 2020 in the exhibition Nan Goldin Kaethe Kollwitz Prize 2022 in the Akademie der Kuenste in Berlin Germany. On the occasion of the award ceremony, the Academy of Arts is showing photographs by the American photographer from five decades. Photography photo exhibition

Nan Goldin Photo Exhibition

Visitors in front of the photo collage in the exhibition Nan Goldin Kaethe Kollwitz Prize 2022 in the Akademie der Kuenste in Berlin Germany. On the occasion of the award ceremony, the Academy of Arts is showing photographs by the American photographer from five decades. Photography photo exhibition.

Nan Goldin Photo Exhibition

Feierliche Benennung eines Odesaplatz in Lichtenberg

Neues Schild Odesaplatz sowie Beschilderung der Museum Berlin-Karlshorst (ehemals Deutsch-Russisches Museum Karlshorst) Das Bezirksamt Lichtenberg hat den neugestalteten Marktplatz zwischen Rheinsteinstraße und Ehrenfelsstraße in Karlshorst eingeweiht und feierlich in "Odesaplatz" benennen. Der bislang namenlose Platz an der Treskowallee erhält auf Initiative von Bezirksbürgermeister Michael Grunst (Die Linke) sowie Bezirksstadtrat Martin Schaefer (CDU) und per Beschluss des Bezirksamtes Lichtenberg vom 16. August 2022 den Namen der ukrainischen Stadt am Schwarzen Meer Odesa. Es wird mit ein "S" wie in Ukrainisch und nicht 2 S wie in Deutsch mit Absicht beschriftet. Auch anwesend Camilla Schuler (Die Linke), Bezirksstadträtin für Familie, Jugend und Gesundheit; Maksym Yemelianov, Gesandter-Botschaftsrat bei Botschaft der Ukraine; Carolin Freifrau von Buddenbrock, Protokollchefin des Landes Berlin. Aus dem Umfeld der DKP würde in Sichtweite ein klein Protest gegen die Benennung angemeldet. u.a würde Pro Donbass Transparent gezeigt.

Duane Hanson, Fondation Beyeler Basel

Visitors view the sculptural installation Lunchbreak by artist Duane Hanson in front of a painting by Mark Rothko at the 25th anniversary exhibition of the collection and at the Museum Fondation Beyeler in Basel Switzerland. Around 100 works by 31 artists are presented in the exhibition in the museum – from modern classics to new acquisitions of contemporary art.

Duane Hanson, Fondation Beyeler Basel

Visitors view the sculptural installation Self-Portrait with Model by the artist Duane Hanson in front of a painting by Beach Scene with Starfish by US American artist Roy Lichtenstein at the 25th anniversary exhibition of the collection and at the Museum Fondation Beyeler in Basel Switzerland. Around 100 works by 31 artists are presented in the exhibition in the museum – from modern classics to new acquisitions of contemporary art.

Doris Salcedo, Fondation Beyeler Basel

Visitors in the walk-in installation Palimpsest by the artist Doris Salcedo in the anniversary exhibition marking the 25th anniversary of the collection and in the Fondation Beyeler Museum in Basel, Switzerland. Palimpsest is dedicated to the refugees and migrants who have died in the last twenty years trying to find a better life in Europe while perilously crossing the Mediterranean Sea or the Atlantic. Around 100 works by 31 artists are presented in the exhibition in the museum – from modern classics to new acquisitions of contemporary art.

Duane Hanson, Fondation Beyeler Basel

Visitors view the sculptural installation Old Lady in Folding Chair by artist Duane Hanson in front of a painting by Paul Cezanne Madame Cezanne a la chaise jaune at the 25th anniversary exhibition of the collection and at the Museum Fondation Beyeler in Basel Switzerland. Around 100 works by 31 artists are presented in the exhibition in the museum – from modern classics to new acquisitions of contemporary art.

Doris Salcedo, Fondation Beyeler Basel

Fondation Beyeler Basel

Visitors in front of the painting Cumulo by Tacita Dean, clouds on chalk on blackboard, in the 25th anniversary exhibition of the collection in the Museum Fondation Beyeler in Basel Switzerland. Around 100 works by 31 artists are presented in the exhibition in the museum – from modern classics to new acquisitions of contemporary art

Wolfgang Tillmans, Fondation Beyeler Basel

Sale of a breakfast tray with a photo by Wolfgang Tillmans in the Image Shop in the Museum Fondation Beyeler in Basel, Switzerland. On the occasion of the 25th anniversary exhibition of the collection and in the Museum Fondation Beyeler in Basel Switzerland. Around 100 works by 31 artists are presented in the exhibition in the museum Ð from modern classics to new acquisitions of contemporary art.

Duane Hanson, Fondation Beyeler Basel

Zerrissene Moderne, Kunstmuseum Basel

Telegram from 1939 to Hildebrand Gurlitt from the museum manager Schmidt Bid 6,000 Swiss francs in connection with purchases and the auction in Lucerne in 1939 by the Fischer Gallery for paintings and sculptures by modern masters from German museums in the exhibition Zerissene Moderne Torn Modernity The Basel Acquisitions of Degenerate Art in the Kunstmuseum Basel Switzerland. The Torn Modernity exhibition sheds light on the history of the Basel collection from the perspective of museum provenance research, degenerate art from National Socialist cultural policy, and the purchase of works of art by the then director of the house, Georg Schmidt. Museum provenance return

Zerrissene Moderne, Kunstmuseum Basel

Brochure Reproduction of the auction catalog for the auction in Lucerne in 1939 by the Fischer Gallery for paintings and sculptures by modern masters from German museums in the exhibition Zerissene Moderne Torn Modernity The Basel Acquisitions of Degenerate Art in the Kunstmuseum Basel Switzerland. The Torn Modernity exhibition sheds light on the history of the Basel collection from the perspective of museum provenance research, degenerate art from National Socialist cultural policy, and the purchase of works of art by the then director of the house, Georg Schmidt. Museum provenance return

Zerrissene Moderne, Kunstmuseum Basel

Brochure reproduction exhibition guide and accompanying booklet for the exhibition Degenerate Art from 1937 and reproduction exhibition catalog Great German Art Exhibition 1937 at the House of German Art in the exhibition Zerissene Moderne Torn Modernity The Basel Acquisitions of Degenerate Art in the Kunstmuseum Basel Switzerland. The Torn Modernity exhibition sheds light on the history of the Basel collection from the perspective of museum provenance research, degenerate art from National Socialist cultural policy, and the purchase of works of art by the then director of the house, Georg Schmidt. Museum provenance return

Ferdinand Hodler, Kunstmuseum Basel

Visitors in front of the painting Infinite View from 1913-1916 by the Swiss artist Ferdinand Hodler in the stairwell of the Kunstmuseum Basel Switzerland.

Zerrissene Moderne, Kunstmuseum Basel

Visitors in front of a projection of the missing painting Schuetzengraben Trench from 1921 to 1923 by the artist Otto Dix - confiscated from the Dresden City Museum in 1937 by the Nazi state as degenerate art and now missing - in the exhibition Zerissene Moderne Torn Modernity The Basel Acquisitions of Degenerate Art in the Kunstmuseum Basel Switzerland. The Torn Modernity exhibition sheds light on the history of the Basel collection from the perspective of museum provenance research, degenerate art from National Socialist cultural policy, and the purchase of works of art by the then director of the house, Georg Schmidt. Museum provenance return

Zerrissene Moderne, Kunstmuseum Basel

Brochure reproduction exhibition guide and accompanying booklet for the exhibition Degenerate Art from 1937 in the exhibition Zerissene Moderne Torn Modernity The Basel Acquisitions of Degenerate Art in the Kunstmuseum Basel Switzerland. The Torn Modernity exhibition sheds light on the history of the Basel collection from the perspective of museum provenance research, degenerate art from National Socialist cultural policy, and the purchase of works of art by the then director of the house, Georg Schmidt. Museum provenance return

Zerrissene Moderne, Kunstmuseum Basel

Visitors view the painting Animal Destinies Tierschicksale von Franz Marc in the exhibition Zerissene Moderne Torn Modernity The Basel Acquisitions of Degenerate Art in the Kunstmuseum Basel Switzerland. The Torn Modernity exhibition sheds light on the history of the Basel collection from the perspective of museum provenance research, degenerate art from National Socialist cultural policy, and the purchase of works of art by the then director of the house, Georg Schmidt. Museum provenance return

Zerrissene Moderne, Kunstmuseum Basel

Legat Gurlitt, Kunstmuseum Basel

Sign and marking notices of Nazi-looted art in the exhibition Gurlitt A balance sheet on the history of the collection by the art dealer Hildebrand and Cornelius Gurlitt in the Kunstmuseum Bern Switzerland. The exhibition sheds light on the history of the Bern collection from the perspective of museum provenance research, degenerate art under National Socialist cultural policy, and the purchase of works of art by the Gurlitt. Because Hildebrand Gurlitt dealt in art during National Socialism in Germany from 1933 to 1945, the inventory has been checked for possible cases of Nazi-looted art since 2013. Museum provenance return

Legat Gurlitt, Kunstmuseum Basel

Shield and red mark Nazi looted art in the exhibition Gurlitt A balance sheet on the history of the collection by the art dealer Hildebrand and Cornelius Gurlitt in the Kunstmuseum Bern Switzerland. The exhibition sheds light on the history of the Bern collection from the perspective of museum provenance research, degenerate art under National Socialist cultural policy, and the purchase of works of art by the Gurlitt. Because Hildebrand Gurlitt dealt in art during National Socialism in Germany from 1933 to 1945, the inventory has been checked for possible cases of Nazi-looted art since 2013. Museum provenance return

Legat Gurlitt, Kunstmuseum Basel

Visitors in front of the installation with reproductions from the collection in the exhibition Gurlitt A balance sheet on the history of the collection by the art dealer Hildebrand and Cornelius Gurlitt in the Kunstmuseum Bern Switzerland. The exhibition sheds light on the history of the Bern collection from the perspective of museum provenance research, degenerate art under National Socialist cultural policy, and the purchase of works of art by the Gurlitt. Because Hildebrand Gurlitt dealt in art during National Socialism in Germany from 1933 to 1945, the inventory has been checked for possible cases of Nazi-looted art since 2013. Museum provenance return

Legat Gurlitt, Kunstmuseum Basel

Display case with a broken cassette with seals from the Augsburg public prosecutor's office in 2012 for the Cornelius Gurlitt tax investigation in the exhibition Gurlitt A balance sheet on the history of the collection by the art dealer Hildebrand and Cornelius Gurlitt in the Kunstmuseum Bern Switzerland. The exhibition sheds light on the history of the Bern collection from the perspective of museum provenance research, degenerate art under National Socialist cultural policy, and the purchase of works of art by the Gurlitt. Because Hildebrand Gurlitt dealt in art during National Socialism in Germany from 1933 to 1945, the inventory has been checked for possible cases of Nazi-looted art since 2013. Museum provenance return

Legat Gurlitt, Kunstmuseum Basel

Sign and red markings indicating Nazi looted art on a work of art by Conrad Felixmueller in the exhibition Gurlitt A balance sheet on the history of the collection by the art dealer Hildebrand and Cornelius Gurlitt in the Kunstmuseum Bern Switzerland. The exhibition sheds light on the history of the Bern collection from the perspective of museum provenance research, degenerate art under National Socialist cultural policy, and the purchase of works of art by the Gurlitt. Because Hildebrand Gurlitt dealt in art during National Socialism in Germany from 1933 to 1945, the inventory has been checked for possible cases of Nazi-looted art since 2013. Museum provenance return

Legat Gurlitt, Kunstmuseum Basel

Shield and green marking no Nazi looted art on a work of art by Franz Marc in the exhibition Gurlitt A balance sheet on the history of the collection by the art dealer Hildebrand and Cornelius Gurlitt in the Kunstmuseum Bern Switzerland. The exhibition sheds light on the history of the Bern collection from the perspective of museum provenance research, degenerate art under National Socialist cultural policy, and the purchase of works of art by the Gurlitt. Because Hildebrand Gurlitt dealt in art during National Socialism in Germany from 1933 to 1945, the inventory has been checked for possible cases of Nazi-looted art since 2013. Museum provenance return

Legat Gurlitt, Kunstmuseum Basel

Copy drawing August Strindberg by Edvard Munch of the installation with reproductions from the collection in the exhibition Gurlitt A balance sheet on the history of the collection by the art dealer Hildebrand and Cornelius Gurlitt in the Kunstmuseum Bern Switzerland. The exhibition sheds light on the history of the Bern collection from the perspective of museum provenance research, degenerate art under National Socialist cultural policy, and the purchase of works of art by the Gurlitt. Because Hildebrand Gurlitt dealt in art during National Socialism in Germany from 1933 to 1945, the inventory has been checked for possible cases of Nazi-looted art since 2013. Museum provenance return

Legat Gurlitt, Kunstmuseum Basel

Visitors in the room graphic provenance characteristics in the exhibition Gurlitt A balance sheet on the history of the collection by the art dealer Hildebrand and Cornelius Gurlitt in the Kunstmuseum Bern Switzerland. The exhibition sheds light on the history of the Bern collection from the perspective of museum provenance research, degenerate art under National Socialist cultural policy, and the purchase of works of art by the Gurlitt. Because Hildebrand Gurlitt dealt in art during National Socialism in Germany from 1933 to 1945, the inventory has been checked for possible cases of Nazi-looted art since 2013. Museum provenance return

Legat Gurlitt, Kunstmuseum Basel

Zentrum Paul Klee Bern

Visitors in front of an installation with works of art and drawings by Paul Klee in the exhibition Vom Rausch der Technik in the Museum Zentrum Paul Klee Bern Switzerland